Intermedial Temporalities
Capturing performance through the lens of temporal fragmentation. Ongoing documentation of live sound and movement using experimental photographic techniques.
This project explores the relationship between time, sound, and visual representation through photographs of live performances. Using a Canon R6 with 50mm 1.8 lens (in most cases), I’m documenting not stillness but movement. Some images were captured with a tripod for controlled long exposures, others handheld to embrace spontaneity. Several self-portraits were made by controlling the shutter remotely from my phone while performing.
The photographs intentionally blur the boundaries between stillness and movement. Through multiple exposures and motion techniques, these images capture time as it unfolds rather than freezing a single moment. The resulting visual artifacts (light trails, ghostly figures, overlapping forms) represent temporal unmaking in visual form.
This work exists in dialogue with my sound project Intermedial Temporalities. Both explore how time can be manipulated, stretched, and reimagined through artistic practice. The photographs are not documentation of performances but parallel artistic expressions that share the same conceptual framework.
The images reveal the ephemeral nature of live performance while simultaneously preserving its energy. What appears as blur or distortion in the photograph becomes a visual representation of time's passage and the fleeting quality of sound.
An ongoing exploration of time as material. Updated with each performance.

